Monday, 16 April 2012

Learning Agreement


NAME: Ruby Utley-Williams

COURSE:  BA (Hons) Costume with Performance Design        

UNIT TITLE: Self Directed Project                    

REF. NO./LEVEL: CSS518

WEIGHTING: 2.0      

DURATION: 9 Weeks       

HOURS OF STUDY: 300 Hours    

Unit Leader: Adele Keeley/Graham Cottenden



Your Blog address:           http://rubyutley.blogspot.com/



DESCRIPTION:


The project that I have chosen is Painting for Inspiration. The first two weeks of the project is a styling project. We have to re-create a painting from either The National Gallery or The National Portrait Gallery, and style it ourselves, to produce a photograph. In the second half of the project we will be Costume Designer/Supervisor for a film made by the AUCB Film Department who have also taken inspiration from a painting in The Courtald Gallery to create their film.



I chose to undertake this project as I feel that it brings together many of the things that I enjoy within the discipline; fine art painting, styling, attention to detail and colour. I am hoping that by doing this project it will broaden my knowledge of the film industry, as I will be working on-set, and closely with the film department. I will also be learning new skills as a Costume Supervisor, building up my skill-set in continuity, organisation and sourcing. Moreover, learning how to use Costume Plot Pro will be a useful sill for when I enter the industry. This project will also help me develop the skills I already have in costume design and push me further in terms of my style of designing and I will hopefully be able to make a mark on the film through the costume.



Furthermore thinking about the future, I want be a costume designer for Film and T.V, and this project is a great opportunity to build up my portfolio for that kind of work.



I will be using two sketchbooks for this project. A small one for styling which will contain research leading up to the visit of The National Gallery and National Portrait Gallery, looking at past remakes and paintings, and planning my visit thinking about whether I want to do something historically accurate or modern. Then exploring a variation of different possibilities after I have chosen a selection of paintings. I will plan, source or make the costumes and choose a location for the photograph of my re-creation.



My second sketchbook will contain all the research on the Film I am working on. Thinking about; period, colour pallets and setting which will enable me to design and source or make the final costumes. Also bearing in mind throughout the limited budget have we have.



I will also be collating a ‘Film File’ which will be produced mainly with Costume Plot Pro and will contain, budget sheets, continuity sheets, character breakdowns and everything that will help me to organise my self for being on set.



Alongside all these things I will be blogging my development, my initial ideas and research and my final outcomes. I will continuously update my progress and evaluate the process, finishing the project with a 750 word Evaluation that will be on my blog.



Finally I have created a work plan, some of which is still vague as we have no specific filming dates yet but it details every important date so far, and will be edited on my blog throughout the project.





Aims:




A1       To provide opportunities for self-initiated, autonomous learning

            and develop the ability to plan time and work independently



A2       To provide opportunity to study the contextual development of costume and performance design



A3       To further develop the creative, intellectual and practical applications of research and contextualisation within a self initiated environment



A4       To propose, develop and evaluate professional aspirations through professional development planning



Learning Outcomes:


On completion of this unit you will be able to:



LO1     Identify and define the context for the development of your own work towards professional aspirations



LO2     Demonstrate an understanding of the development of Costume with performance design

`

LO3     Have developed the creative, intellectual and practical applications of research and contextualisation



LO4    Consolidate and demonstrate professional aspirations and planning                     





Assessment Requirements:



HAND-IN



For hand-in you will submit:



A sketchbook including: research, development ideas and photos from the styling project and research, development ideas and on-set photos from the film project.



A film file: Continuity, Character breakdown, Budget breakdown and any other relevant paperwork generated. For most of this you can use print outs from Costume Plot Pro under pinned by personal development planning (in your blog journal) and a final written evaluation (750 words) evidenced in your Blog                   100%







Each assessment requirement must be passed at a minimum grade of 40% to successfully complete the unit





Assessment Criteria (specific criteria related to the learning outcomes and linked to the statement of generic assessment criteria matrix):           

           

  1. Evidence of knowledge of contextual and theoretical issues – The level to which you have considered the context of your project and evidenced that to your body of work (LO1, LO2)



  1. Evidence of understanding through synthesis and development – The application and extend to which research has informed decision-making and project development together with the appropriate management of time (LO2, LO3, LO4)



  1. Evidence of evaluation and reflection – The extent to which you have reflected on the progress of your project and used it to inform personal development planning (LO4)



  1. Evidence of realisation through the communication of ideas - The presentation of your work and the level to which specialist knowledge has been applied, communicated and evidenced (LO3, LO4)


Reference Material



This will vary according to the needs of the individual project.  You will define Reference Material through personal investigation and consultation with staff and list it in your Learning Agreement.



De Rynk, P (2004) How to Read a Painting: Lessons from the Old Masters, Harry N Abrahams



Potterton, H (1977) The National Gallery London, London, Thames and Hudson Limited London



Cooper, D (1954) The Courtald Collection, London, University of London The Athelone Press,



Yung, K.K (1981) National Portrait Gallery Complete Illustrated Catalogue, London, The National Portrait Gallery



La Motte, R (2001) Costume Design 101: The Art and Business for Costume Design for Film and Television, California, Micheal Wiese Productions



Jeff + Kyle (2001) Booooooom, [online], Available from http://www.booooooom.com/2011/10/04/remake-submissions/ [Accessed from : November 2011]

No comments:

Post a Comment